格物致音-Music of Object
本帖最后由 namlow 于 2013-8-24 09:30 编辑请看和参考：
https://www.ableton.com/en/blog/ ... 8-august-newsletter
客家新音乐的第八度接触将在朝这同一方向探讨。
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客家哲学：時空韵组成的客家第八度感触！ [复制链接]
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Nick Yulman: Music Is The Object
One hundred years ago, Luigi Russolo formulated the Art of Noises; a manifesto that argued that the sonic palette of the industrialized, mechanized world requires a fresh approach to musical instrumentation and composition. In it he postulated that electronics and other technology will allow futurist musicians to "substitute for the limited variety of timbres that the orchestra possesses today, the infinite variety of timbres in noises, using the appropriate mechanisms for their reproduction”.
Sound familiar? In a very real sense, we are living out Russolo’s prophecy today, with an “infinite variety of timbres in noises” now available to any musician with a computer. Our modern palette of sounds extends far beyond what was available to musicians of previous eras. And in an ironic twist, ‘noise-like’ or synthetically generated sounds have become so commonplace in music today that they have largely lost their ability to astound. In other words, what would have shocked even Luigi Russolo in 1913, is now a standard part of the sonic vocabulary that we, as listeners, are entirely accustomed to.
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Music composition howto From Music is the object:
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